hugo manuel is better known by his musical alias chad valley. a product of oxford’s prolific creative community, chad valley has amassed a catalogue that spans four studio releases, numerous collaborations and dozens of remixes. his 2010 debut — a self-titled exploration in swirling synths and sunburnt melodies — laid the groundwork for 2011’s equatorial ultravox, which gave his downtempo productions a decidedly more pop-leaning twist. it was with equatorial ultravox, and his 2013 album young hunger, that chad valley’s profile sprung forward, strengthened by a string of key touring slots supporting the likes of erasure, chvrches, active child and passion pit, and by his collaborations with el perro del mar, glasser, totally enormous extinct dinosaurs and twin shadow. after releasing 2015 s sparkling entirely new blue and continued touring extensively, as he now prepares to release his third full-length album in 2018. imaginary music includes the previously released singles “up again” and “la in august,” both of which bolster one of the strongest batches of material chad valley has yet delivered. the vinyl release includes a download code.

plush. palace. regularfantasy s music is about as plush as it gets, filling your area with bright melodic blankets for which to throw around your bod. turning it into a plush palace of sorts, if you will. half of this record seems designed to sooth you while the other half is all about getting you steppin . our pal dj zozi comes in with an absolute heater of a remix, taking you to planets unknown and raves gone by. without a doubt, the party is gonna be turned out.

vinly only, new york veteran reade truth gives the outstanding album from london’s cartulis music.for those who know!

6th opus of the label. a super eclectic record, exploring diverses styles of electronic music spectrum such as idm, downtempo, ambient, synth pop. cosmic release limited to 250 copies. this record includes works from artists discovered around the globe. old & unknown latvian project andy rantzen & david sudmalis from australia, isak anderssen from norway. but also art teachers, oberst gregor. a reissue of cosmic lost sound from california, an electric guitars orgy from science patrol (m. bracewell) + an all new french act pascal de nuit.

icelandic techno veteran yagya enjoys a release on x/oz that celebrates both new and old material. the tempo is noticeably ramped up on -one weak light- but never at the expense of that dark and mysterious icelandic hue. -existence is weird- is no slouch either, but yagya shapes out his atmospheres with such a refined touch that you barely notice how quick the tracks are running. -a very long daydream- is a gorgeous ambient track dug out of the archives, while -getting closer to an unknown goal- sees the re-release of a track yagya released as rhythm of snow back in 1999.

hello, i am qnete and these are my play-doh stories. some of them are already three years old and it feels like i ve become somewhat of a different person since then. still, i like to listen to them from time to time, thinking of how i was back then, reminding me of what helped shape me, what helped me become who i am now. sometimes, i also get the feeling that it is not me who wrote the stories. they seem to seem unknown to me, just like they seem to you, because you are not me. then i listen, and i know again.

2018 repress - a marriage of unsettling textures with deep and heavy kicks. killer surgeon!!

wan chai records is a hong-kong based label, specialized in rare asian records and quality reissues. after a few years of hard diggin’ in asia, meeting the artists and many local figures of the 60’s, 70’s and 80’s scene in hong kong, singapore, and taiwan, they wanted to share their best finds and put them together on vinyl with the best productions ever made in soul-jazz, disco, funk, modern-soul, and aor. the result is a selection of 10 totally unknown gems sung mostly in english and cantonese with amazing covers of classics like “lovin’ you”, “make me believe in you”, or “hurt so bad” in a nice artwork gatefold lp.

for alan oldham, artistic expression is a way of life, taking multiple forms and medi-ums throughout his lifetime. before he was ever known as dj t-1000, he was a published car-toon artist and radio dj in detroit writing press releases for underground resistance to get by. one day, underground resistance was in need of a last minute dj for their tour in aus-tralia, and a door flew open for alan oldham. with passport in hand he departed on his jour-ney as a dj, which little did he know would eventually span continents. influenced by every-thing around him, his work has dynamically changed and evolved along with his life. currently as an international dj living in berlin, his latest creation is the acidspace ep, released by elypsia records under the detroitrocketscience name. the traveler himself takes us on an intergalactic adventure, beginning with acidspace (8:48). with a steady beat and a unique blend of serene space sounds, this jam excites the imagination for the journey to come. it is followed by rocket to berlin (7:20), a subtle and intricate mix that entices one to enter the unknown. vesta system (6:22) finishes the ep off on a note that leaves lis-teners grooving and enjoying the ride. creativity and sweet sounds are what its all about for alan oldham. with his recent musical shift to mellower, sci-fi inspired jams, he continues to let listeners see for themselves.

forriner are lee forster (last waltz) and oli warriner (traela) having both previously released material under their respective projects on labels such as… esp institute, mule musiq, hhatri and world unknown to name a few. the duo released their first offering on futureboogie recordings to great success, picking up airplay on bbc radio 1. with material on man powers mememe and a forthcoming release on father & son records and tapes, poland. this is the first release on their brand new imprint, forriner music the release features two forriner originals whilst collecting remixes from underground heavyweights, persus traxx and frank butters.

french up-and-coming producer, e-unity, has released a successful first 12inch at the end of 2017, being played by the likes of pearson sound, objekt, avalon emerson and a made up sound. hes coming back with a four-tracker on oxyd’s intramuros, keeping his hybrid vision in focus. he mixes various uk influences from breakbeat to leftfield techno and house.

optimo music is thrilled to release the new album from jacob yates. not only is he one of our all-time favourite artists from glasgow, but he is one of our favourite artists from anywhere. criminally unknown except to a few who have been long transfixed by his recordings and performances, we hope this release will open a few more ears to his wondrous musical world.

super rhythm trax is excited to unveil their brand new side label. bleeper, which will concentrate on a slightly tougher strain of techno. the first four releases are in production and will be enough to give you a strong idea of where the label will be going! first out of the gate are ford foster (unknown to the unknown/opal tapes) and frankie castle with bounce that, an ingenious ghetto house jam with a serious twist, backed with a jerome hill remix that strips the whole thing down leaving the bare ingredients to do damage on the dancefloor. also included are an instrumental version of the original, and the slo mo banger shake that.

real house music created by the founder of house music frankie knuckles for wbmx. real house music created by the founder of house music frankie knuckles for wbmx june 25, 1986. (a & b). back in august 2017, jerome derradji received a call by one of chicagos most renowned record dealer. it went like this: hey jerome, ive got all these reel to reel tapes of chicago house stuff. you want to take a look?” less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now it’s time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff that’s in the stack of reels) here is our first series with mixes from frankie knuckles, steve “silk” hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities.

jerome derradji received a call by one of chicago’s most renowned record dealer. it went like this: hey jerome, ive got all these reel to reel tapes of chicago house stuff. you want to take a look? less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now it’s time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff that’s in the stack of reels) here is our first series with mixes from frankie knuckles, steve “silk” hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities.

jerome derradji received a call by one of chicagos most renowned record dealer. it went like this: hey jerome, ive got all these reel to reel tapes of chicago house stuff. you want to take a look? less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now its time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff thats in the stack of reels) here is our first series with mixes from frankie knuckles, steve silk hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities

jerome derradji received a call by one of chicago’s most renowned record dealer. it went like this: hey jerome, i’ve got all these reel to reel tapes of chicago house stuff. you want to take a look? less than 24 hours later, more than 160 reels were purchased and safely hauled back to the still music office and jerome got to work. in fact, these reels - that were lost for more than 20 years - contain some incredible stuff that we’ll be releasing in the years to come but right now its time to jack! around 50 of these tapes are dj mixes that were broadcasted on wgci and wbmx in the mid to late eighties mostly with the hot mix 5. so jerome decided to start a series of cassettes titled jack to share the absolute greatness of these mixes (and to raise enough funds to finance the transfer and licensing of the more crazy stuff thats in the stack of reels) here is our first series with mixes from frankie knuckles, steve silk hurley, chicago mystery - devastating daryl and a few unknown mixes that were too essential to skip. these mixes were played on the radio only once and were lost until today. this series is an absolute window back to the heydays of chicago house music. all the mixes were professionally transferred and remastered to the best of our abilities.

unknown johnny cash writings brought to life as new songs by chris cornell, ruston kelly & kacey musgraves, rosanne cash, alison krauss & union station, brad paisley and more. comes as double vinyl in gatefold sleeve with download code included.

unique soul jazz records’ record store day seven-inch box set which brings together a stunning five-single/ ten track selection of mind-blowingly groovy selection of african, latin, jazz and funk music from the congo. absolutely killer and essential tracks (mostly unknown) from the masters of the vibrant congo scene in the 1960s – featuring the groups franco & ok jazz, rock-a-mambo, african jazz, african fiesta and more. roots african meets dizzy gillespie, james brown, ray barretto & more. the bomb! this unique box-set edition is only available as a one-off pressing especially for record store day 2018.

theus mago comes from mexico city, his light is a harness of levitation escalating beyond the galactic thin air. stars collid-ing, feeding off the dust of unknown ashes risen from the earth and sand in resolve. doog offers eerie and optimistic vocals to the disconcerting yet comfortably soothing waves of theus magos ella and smokey red lights. the french duo il est villaine journey ella to the obscure and swung out dimensions, while arthur johnson brings his guitar and synth-laden attitude from the shadows to the brightest dance floor on his mix. dreams can be so weird sometimes.

guber releases his first ep on paris based label beat x changers at the intersection of ambiant and mental uk bass music. the whole project is held by alternation of slope / release of sub-frequency and obsessional loop that dye each tracks. anisotropic expression is a first work that could be seen here as an draft representation of the behavior of surrounding matter. non musical influences therefore are brought here by the the study of properties of materials expressed in a musical statement. raw obsessional patterns, evolving and rolling out over the headroom could be seen as the emulation of many deformation models. shaping of stereo and arrangement have been handled with the help of the sound engineer & producer x_1 leading to home or club-listening experience as well. guber is been into music by listening & playing some music of the 70 s and trash-metal that drove him straight to uk bass music. since there he is only focusing on spontaneous creation showing faithfull perception of thoughts, leading to a higher level of singularity.

multinotes is a record label created by lehar, musumeci and olderic and it is open to anyone ready to expose their very own musical point of view. this is not a -family-, this is a private club for modern, open minded people ready to challange themselves and the rules of unknown. multinotes first release it comes from the italian close friend and long time producer enzo elia which delivered an intense three tracker ep written together with his mate gianluca tavaroli (imgl).

“world building” is a blissful and introspective mission into melancholy that wanders over terrain both familiar and unknown. bright and sparse melodies shimmer over icy landscapes, hewn with a careful composition and attention to the most minute detail. ghostly voices swell into symphonic chorus while an analogue rhythm section keeps an almost human-like groove. arguably his most complete work to date, “world building” is a satisfying listening experience with a strong narrative - an auditory tale of an epic journey with warmth and depth from one of europe’s most exciting producers. pressing on green marbled double vinyl.

sanskrit scriptures mention the term vimana as flying vehicles or temples. consequently, the sound of this ancient ufo has been captured into the grooves of this vinyl record. the soundscapes of rukma vimana dig deep into the dirty history of raw and hypnotic industrial techno. nobody said that spiritual journeys are a clean endeavour. a1 marches forward into the dark lands of dirty drums and urges you to follow it, as it’s your duty to dance hard in this life. flip the vinyl and the needle will tickle your subconsciousness. excavating deep tantalizing melodies and dusty basslines, one should not get lost in the palace of this unknown god. closing with a meditative sketch, b2 leaves us puzzled about the vortex of energy we’ve just been through.

somewhere between dub and space lies the work of unknown wonders, like the one created by normal stage. a1 starts like part of a typhoon taking everything in it’s path. the pounding sub will crunch the dancefloor vibeing towards the core of the nervous system. the tunnel is open: b1 will open a star gate through precise push and pull movements. there is light at the end, but the trip is long. it’s a time travel where senses are altered. b2 takes us back to the ground where it all started. heavy basslines and lush pads are chanting in celestial ambiance. the drum of earth is the heart of the dance, a ritual for all things normal.

hot disco stuff from unknown artists.

salespack inlcuding:
- happy001: unknown artist - happy skank / lucky dub
- plasma008: sabre / alix perez - yoga
- subway019: matt-u - straightened up

something happening somewhere returns with a new collection of stories unified under the brand new nowhere compilation series. shards of tales long forgotten are told and retold by a group of fellow travellers, exploring sounds in many shapes and forms. sailing towards an unknown destination, revealed here are the hymns luring you into the abyss… the nowhere 01 vinyl sampler is a carefully curated selection of freshly crafted propellants pressed on wax for the very first time. quince gives us a saturated electronic work-out, combining gritty drum sounds with bass guitar and odd timed synth zaps. kurt baggaley’s detect was a digital exclusive from his remembering infinity ep, now finally available on black gold! it features a similar electro groove but uses artificial intelligence to add vocoder sounds and digitally aliased robot tears. fader from borneo takes a more frontal approach providing a catchy bass riff with warm pads and synthesised strings to guide you in a comfortable trance.

the 20th volume of our flagship eccentric soul series has all the boxes checked: guntoting, skip-tracing record producers, child stars, rip-offs, the worlds greatest bail bondsman, swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. helmed by the ojays bobby massey, saru was a creative vortex that pulled cuyahoga countys greatest talent in, making a strong case for cleveland to contend with detroit, philly, and memphis as americas soul music’s capital. includes obscure and unknown sides from the out of sights, the elements, pandella kelly, david peoples, sir stanley, the ponderosa twins + 1, ba-roz, bobby dukes, and of course, the o’jays.

co-produziert von jacob portrait (unknown mortal orchestra) und matt molnar (der bereits für das debüt verantwortlich war) bleiben sunflower bean auf twentytwo in blue ihrem kern als gitarren-rockband mit wurzeln im klassischen rock treu, während sie weitere klangliche texturen ausloten. auf twentytwo in blue findet eine sublime reife und weiterentwicklung ihres sounds wie auch ihres songwritings statt. war es auf dem debüt human ceremony die raue schönheit der hauchdünnen, groovenden wall of sound, die die band auszeichnete, findet sich nun eine neue direktheit in den songs ein ergebnis ihrer entwicklung als band sowie des irrsinns, den wir in der heutigen zeit erleben. in uk absolvierten sunflower bean letzten herbst eine große tour mit wolf alice und spielten vor 10.000 zuschauern im ausverkauften alexandra palace.

co-produziert von jacob portrait (unknown mortal orchestra) und matt molnar (der bereits für das debüt verantwortlich war) bleiben sunflower bean auf twentytwo in blue ihrem kern als gitarren-rockband mit wurzeln im klassischen rock treu, während sie weitere klangliche texturen ausloten. auf twentytwo in blue findet eine sublime reife und weiterentwicklung ihres sounds wie auch ihres songwritings statt. war es auf dem debüt human ceremony die raue schönheit der hauchdünnen, groovenden wall of sound, die die band auszeichnete, findet sich nun eine neue direktheit in den songs ein ergebnis ihrer entwicklung als band sowie des irrsinns, den wir in der heutigen zeit erleben. in uk absolvierten sunflower bean letzten herbst eine große tour mit wolf alice und spielten vor 10.000 zuschauern im ausverkauften alexandra palace.

weaving the old with the new.
exploring the known and the unknown.
time is just irrelevant,
it’s the journey that matters
stories are forever...
mystery repeats!

genii’s debut ep on feines tier. we are more than happy to present four tracks by the man from amsterdam who’s also responsible for countless dutch party and festival happenings as well as the productions for electronic live band dialoque. artwork by daniel hageman.

2007 - 2017: heavenly sweetness is turning 10 years old! they are celebrating with 3 birthday parties, and 2 compilations! one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. one is a best of the labels production, and the 2nd one is made of exclusive tracks, composed for this occasion. this compilation is a very subjective best of the labels production, from each album or single we had the chance to produce, with great artists. a journey through 10 years of music, a great introduction to the labels universe, but even the experts will discover unknown tracks. including well known artists such as guts, blundetto, sly johnson, anthony joseph, but also more confidential artists: robert aaron, jacaranda muse, patchworks (and his tribute to gil scott-heron)

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 digitally and on vinyl. australias reigning champion of tasteful electronic music, cc:disco! has procured exclusive tracks from emerging and undiscovered artists across genres such as boogie, balearic, funk, disco and house with each sound piquing her interest, culminating in a finished product that would undeniably slot into a cc:disco! set. her mission statement? less chin stroking, more dancing. it captures what cc:disco! is all about: the dancefloor. the very first taste of first light comes in the form of a salty and sweet track called really want that by jace xl. premiered via resident advisor, cc:disco! explains: i remember the first time i heard jace sing in a bar, at first i thought a dj was playing then i looked up see jace singing his guts out. he blew me away! jaces voice is amazing and to me, a huge part of whats going on in australian music, so its with open arms we welcome him to first light. staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

vinyl only.

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. the mix will be release digitally and on cd, while a selection of the tracks will also be available on double gatefold vinyl. each instalment will feature 100% new and unreleased music. it is a chance for artists to take sole creative charge, a&r as they see fit and then commission brand new music specifically for the cause. depending on who is at the helm, inside out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while djs and label heads may wish to reflect the sounds and scenes that surround them. the results will be a window into an artists world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album. the idea stems from will sauls own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. that feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.

legwork drops an intergalactic three-tracker from the unknown brother nebula.

spirit of music manitou chose for the fifth release sawe, lush grooving and mind blowing dreamy synth with atmospheric pressing rhythms and groove, as always warm bouncy dj tool house stompers mid 1990 inspired.

seven years ago, unbalance created his own label as a base for his musical ideas, a platform to play around with the conception of what -techno- is and would be alongside his own creative progression. come to present day and the label is now at its ninth release, reaching a point where the line of accumulated experiences must be drawn in the sand — and the experiences of previous projects and releases lead to venerable conclusion. enter ten, an album of internalized strife that was created during a period of big changes in the artist s life. between enduring personal experiences, his creative output veering between his straightforward club eccentricities and subdural sensibilities, unbalance cultivates a symbiotic link between sounds played and sounds portrayed — whilst paying tribute to the essence of groove, vibration and the hypnotic unknown that exists to balance the scales. this album will be the final point in the label s journey into the depths of multifaceted techno music.

frame of mind is back with a re-issue of another unknown gem from the early 90 s. uk production team dave campbell and viv beeton are most known for their uk techno, rave and bleep classics as ubik. it is under the alias of timenet they released an obscure white label in limited quantities in 1992. this untitled and one-off 3-tracker remained fairly unknown up until today. it shows quite a different side of their stunning production talents. dishwasher is a rough drum machine work out topped with a wild bleepy sh101 synthline a la mr fingers. dx moods is a spaced out techno tune combining mysterious pads and crazy dx-100 programming. with on the move the uk pioneers come closest to their ubik sound: mad uk techno with a hint of rave. a previously unreleased and stripped down version of this track is included as well.

autonomia, first released only on cd in 1993, was mostly a solo project of simon crab with the aid of christoph fringeli of praxis, recorded after a 2-month tour in the usa and europe. typically bourbonese qualk, this album delivers the opposite of the listeners expectations, breaking the mold set by the two previous albums, my government is my soul and unpop. autonomia sets out in a completely different direction of harsh electronic no compromise techno and has become a classic in the field, making this vinyl release well overdue!

in the years following the world war two, japan developed one of the most insatiable, dynamic and diverse markets for jazz. for a crucial period of little over a decade - from the late 1960s to the early 1980s - japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. this amazing journey is explored on ‘j jazz’.

lp theres been an air of hypnagogic mystery surrounding acid tests sublabel avenue 66 from the start. joey andersons oblique, prince-inspired incantation above the cherry moon set the tone for a label thats sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs. fitting then, that the first album on the imprint comes from trux, an artist who has chosen to reveal nearly nothing about themselves. following a cult classic mini-lp for office recordings, orbiter bears out the anonymous producer as a master of liminal, conceptual dance music. orbiters ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. opener, with it, moves from heady ambient rush to skeletal piano, while blinko and roys garage spell out a hazy memoriam for the uk continuum. forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. orbiter positions trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings. track list with it orbiter blinko roys garage third glow in my world my row odd u agoma

intergraded is a new label started by midland to focus on releasing music by new artists, whether unknown, emerging or established but working under a new name. the first release sees body in the thames, peach, jay and webstarr help inaugurate the label. the idea for the label came about after being sent unreleased music and ideas by a number of artists over the last year. as i plan to focus graded on my own midland solo work for the foreseeable future, and with regraded occupying a different aesthetic plane altogether, the logical step was to start a new label that could help introduce this music to a wider audience. harry agius aka midland

they say that good things come in threes… it must be true and favorite recordings also proudly presents the third edition of its acclaimed french disco boogie sounds compilation series. like on prior volumes, the complete tracklist is selected by label head honcho, charles maurice (aka pascal rioux), who’s unearthed 13 more forgotten and hidden tracks, all produced whether in france, in french, or by french artists between 1977 and 1987. with most of these titles now very hard to find in their original edition and unknown by many, this compilation should be a must have for any disco-boogie-funk music lover and collector. fully remastered from originals at the carvery cut (uk), french disco boogie sounds vol.3 (1977-1987, selected by charles maurice) is presented by favorite recordings in a gatefold vinyl double lp

spacetalk is proud to reveal its most exciting release to date: a collection of long-lost recordings from forgotten californian duo morrison kincannon, rescued from the dusty tape archives of the pair’s lead songwriter, norman morrison... with only a handful of sought-after private press 7” singles to their name, morrison kincannon are all but unknown outside record collecting circles. yet norman morrison and terry kincannon wrote and recorded some superb songs during the 1970s and early ‘80s, desperately hoping for the break that would see them released on vinyl. now, at last, their time has finally come.

more fire from aaron broomfields archive, here we have two sought after sides. im gonna miss ya was transferred from tapes by aaron himself and is a brilliant boogie joint thats highly coveted on many scenes for good reason. on the flip we have got the super rare and relatively unknown does anybody really know, one for the heads, no master exists for this but jeremy underground kindly lent me his minty copy to master from, jeremy is a man who possess extremely good taste in modern soul and disco and who we will be working with more in the future